The Bass Clef Key Signatures At A Glance

The bass clef key signatures have a lot of similarities with the treble clef key signatures.   In bass clef, you will also find seven flat keys and seven sharp keys.  When you add the Key of C (no flats or sharps), there is a grand total of fifteen key signatures.

The bass clef key signatures can also be divided into two groups; the sharp keys and the flat keys.  As a quick review, you can find the key signature right after the clef sign.  Since we are focusing on the bass clef, all of the key signatures you will see below are found after the bass clef symbol on the music staff.

The Bass Clef Sharp Keys

There are a total of seven sharp keys in bass clef.  They are: G, D, A, E, B, F#, and C#.

 bass clef key signatures

G = 1 sharp, F#
D = 2 sharps, F# and C#
A = 3 sharps, F#, C#, and G#
E = 4 sharps, F#, C#, G# and D#
B = 5 sharps, F#, C#, G#, D# and A#
F# = 6 sharps, F#, C#, G#, D#, A# and E#
C# = 7 sharps, F#, C#, G#, D#, A#, E# and B#

Notice that all of the sharps listed above follow the order of sharps.  Now, take a closer look at how they appear on the music staff.

The sharps follow the same order on the music staff with the inside box of the tic-tac-toe symbol centered on the same exact line or space every time.  The F# will always be located on the fourth line, the C# in the second space, the G# in the fourth space, the D# on the third line, the A# in the first space, the E# in the third space, and the B# on the second line.

Also notice how the sharp keys follow a pattern of being five notes apart from each other.  To help you see this, start on G (1 sharp) and move to D (2 sharps).  By doing this, you are moving forward through the musical alphabet every five notes.  In music theory, this is known as the circle of fifths.

The Bass Clef Flat Keys

We also have a total of seven flat keys in the bass clef.  They are: F, Bb, Eb, Ab, Db, Gb, and Cb.

bass clef key signatures

F = 1 flat, Bb
Bb = 2 flats, Bb and Eb
Eb = 3 flats, Bb, Eb and Ab
Ab = 4 flats, Bb, Eb, Ab and Db
Db = 5 flats, Bb, Eb, Ab, Db and Gb
Gb = 6 flats, Bb, Eb, Ab, Db, Gb and Cb
Cb = 7 flats, Bb, Eb, Ab, Db, Gb, Cb and Fb

Again, all of the flats listed above follow the order of flats.  This can be found on the music staff too.

You will always find the flats listed in the same order on the music staff with the little belly of the flat symbol centered on the same exact line or space.  The Bb is always located on the second line, the Eb in the third space, the Ab in the first space, the Db on the third line, the Gb on the bottom line, and the Cb in the second space.

In looking at the flat keys listed above, notice how the flats move forward through the alphabet every four notes.  If you start at the top (F) and move down (to Bb, Eb, etc.) you will see how this works.

Now, go backwards starting with Cb and work your up (to Gb, Db, etc.).   The notes move forward every five notes through the musical alphabet.  This is similar to the sharps listed above, except with the sharps you have to start with G and move down to get the same result.

So, why do the sharps and flats appear on the music staff in the same way every time?  To help you see at a glance what is in your key signature.  This speeds up the reading process by quite a bit.

Try memorizing all of the bass clef key signatures this week.  Having them available in your memory comes in very handy when reading music.  Make some flashcards or practice by drawing them out on a piece of paper.  Maybe you could look at several pieces of music and try naming the sharps and flats in the key signatures.  However way you practice reading doesn’t matter as long as it is effective.

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Comments

  1. Dennis Williams says

    My name is Dennis Williams I’m a student at Full Sail University – aside from that I’m a Professional DJ and a Music Producer. Here the thing I never took a music lesson after my 1st experience with a teacher who told me I was tone deaf and sad to say for many years I believed it only to find out there is no such thing. Any way my point is although i was told I wouldn’t need any music back ground to be successful in this school but now that I’m in my last year I find that hard to believe because theory of music is a concept all its own. I need help with that. I’ve made music for many years very impressive pieces but I alway composed it buy ear. Now I realize there is much more to it then the sound there off. Teresa if at all possible I’d be honored to work something out in accord to gaining needed insight of your knowledge there of. Thank you Dennis Williams

  2. says

    Hi Dennis! So glad to have you here! I am very sorry that you had a teacher that made you believe a lot of false information. Unfortunately, there are a lot of those and it is so important for everyone to know the truth. I’ve never met a person who does not have the ability to learn how to read and play music (and I have coached all ages and all walks of life).

    Reading music is basically music theory. In order to understand how to write music well, music theory is the foundation also. It really isn’t hard to learn, but it does require a little time and work. It sounds like you have a very strong ear, so adding the reading component to your overall abilities will really set you apart from the rest of the pack and give you unlimited potential!

    I have been thinking about adding a service where I give private lessons over the phone on music theory/music reading/music writing. If this is something you are interested in, please email me through the contact page and we can discuss how to arrange this.

    I can teach you several lessons in an hour (or even a half-hour) and help you learn how to practice those concepts effectively in order to learn them deeply, yet quickly. With the right tools & resources, it can be done!

  3. PADDY MC DERMOTT says

    HI, JUST LEARNING THE BASS CLEF…..I NOTICE..FOR EXAMPLE ITS SHOWING A FLAT
    AS 3 FLATS……..THOUGHT IT WAS 4 ! ?

  4. says

    Teresa, thank you for simplifying an otherwise daunting task. Many of us are isolated or unable to afford music lessons. I studied cello for eight years, but sacrificed both my cello and my playing for forty years to give my children private piano lessons. This year my husband gave me a gift of a cello for Christmas. I’ve forgotten so much and after two hand reconstructive surgeries, requiring six months in hard casts, I am rediscovering my love of cello. Your information and encouragement is so welcome!

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